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Minimal Jazz 2
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Vous avez sélectionné:
Minimal Jazz 2
Partitions à imprimer
68 partitions trouvées
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Minimal Jazz 2
Minimal Jazz 2
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Chris Cobon
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Minimal Jazz 2
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Chris Cobon
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1001785 Composed by Chris Cobon. 20th Century,J...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1001785 Composed by Chris Cobon. 20th Century,Jazz. 8 pages. Chris Cobon #6348277. Published by Chris Cobon (A0.1001785). Composed for our school sax group, this is part of a set of small compositions which have been performed by the group Niknuf (Funkin backwards). The piece is influenced both by minimalism, an area studied by the students at exam level, and jazz. INSTRUMENTATION:Part 1: Alto SaxophonePart 2 Alto SaxophonePart 3 Alto or Tenor SaxophonePart 4 Tenor or baritone SaxophoneAll parts shown in the score
$5.00 ≈
4.67€
🎼 Minimal Jazz [PIANO SCORE] (Collection)
ð¼ Minimal Jazz [PIANO SCORE] (Collection)
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Piano seul
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FACILE
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Contemporain
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Andrea Balzani
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ð¼ Minimal Jazz [PIANO S
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Andrea Balzani
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1114933 By Andrea Balzani. By Andrea Balzani. Classical,Contemporary. Score. 27 pages. Andrea Balzani #716773. Published ...
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Piano Solo - Level 2 - SKU: A0.1114933 By Andrea Balzani. By Andrea Balzani. Classical,Contemporary. Score. 27 pages. Andrea Balzani #716773. Published by Andrea Balzani (A0.1114933). 🔸 Minimal Jazz (for piano)Music by Andrea Balzani➡️ Linktree: https://linktr.ee/AndreaBalzani▶ WEBSITE: https://www.andrea-balzani.it▶ FACEBOOK: https://www.facebook.com/AndreaxBalzani/▶ YOUTUBE: https://www.youtube.com/user/KeymasterAndrea✉️ Contact: andreabalzani.workinprogress@gmail.com
$4.99 ≈
4.66€
Minimal Jazz 1
Minimal Jazz 1
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Quatuor de Saxophones: 4 saxophones
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DÉBUTANT
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Chris Cobon
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Alto Saxophone
·&nbs
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Minimal Jazz 1
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Chris Cobon
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 1 - SKU: A0.1001784 Composed by Chris Cobon. 20th Century,J...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 1 - SKU: A0.1001784 Composed by Chris Cobon. 20th Century,Jazz. 20 pages. Chris Cobon #6348181. Published by Chris Cobon (A0.1001784). Composed for our school sax group, this is the first of a set of small compositions which have been performed by the group Niknuf (Funkin backwards). The piece is influenced both by minimalism, an area studied by the students at exam level, and jazz. If an extra alto sax is available it can be used to strengthen Sax one and fill out the indicated octave parts. INSTRUMENTATION: · Part 1: Alto Saxophone · Part 2 Alto Saxophone · Part 3 Alto or Tenor Saxophone · Part 4 Tenor or baritone Saxophone · All parts shown in the score
$5.00 ≈
4.67€
Soliloquy (Jazz Band)
Soliloquy (Jazz Band)
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Ensemble Jazz
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FACILE
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Jazz
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P
#
P
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Soliloquy
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P. R. Frederick
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1045318 Composed by P. R. Frederick. Arranged by P. R. Frederick. Jazz. Score and Parts. 24 pages. P. R....
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1045318 Composed by P. R. Frederick. Arranged by P. R. Frederick. Jazz. Score and Parts. 24 pages. P. R. Frederick #649891. Published by P. R. Frederick (A0.1045318). Soliloquy is a beautiful ballad featuring the alto sax. The tune has a very haunting melody with a couple of unexpected contemporary chord changes. Your first alto player will shine on this piece. There is minimal work for the trumpets and trombones. A great piece for any occasion. This is an original arrangement for a jazz/swing band with standard instrumentation (5 saxes, 4 trumpets, 4 trombones and rhythm section)See all of my arrangements here
$50.00 ≈
46.74€
Eleventh Heaven - A Minimalist piece for 2 Marimbas in 11/8
Eleventh Heaven - A Minimalist piece for 2 Marimbas in 11/8
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Marimba
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Contemporain
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Erik Kihss
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Erik Kihss
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Eleventh Heaven - A Minimalist
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Erik Kihss Digital Publishing
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SheetMusicPlus
Composed by Erik Kihss. Arranged by Erik Kihss. 20th Century, Minimalism, Jazz, World, Recital. Score, Set of Parts. 6 pages. Published by Erik Kihss Digital Pu...
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Composed by Erik Kihss. Arranged by Erik Kihss. 20th Century, Minimalism, Jazz, World, Recital. Score, Set of Parts. 6 pages. Published by Erik Kihss Digital Publishing (S0.436139). - Score,Set of Parts - 20th Century,Minimalism,Jazz,World,Recital - Erik Kihss Digital Publishing
$3.99 ≈
3.73€
Christmas Time Is Here
Christmas Time Is Here
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Ensemble Jazz
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FACILE
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Jazz
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Vince Guaraldi
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Jeremy Corcoran
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Christmas Time Is Here
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LPC Publishers
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.713908 Composed by Vince Guaraldi. Arranged by Jeremy Corcoran. Jazz. Score and parts. 20 pages. LPC Pub...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.713908 Composed by Vince Guaraldi. Arranged by Jeremy Corcoran. Jazz. Score and parts. 20 pages. LPC Publishers #2846173. Published by LPC Publishers (A0.713908). Everyone knows this Charlie Brown Christmas classic. Here it is arranged for Jazz Band and is easily taught with minimal rehearsal time. An easy way to introduce 3/4 time to your jazz band.
$40.00 ≈
37.39€
Almost May Score and Parts
Almost May Score and Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoi...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost May”. Like springtime in the Northern Hemisphere, “Almost May” unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99 ≈
23.36€
Uxmal At Midnight
Uxmal At Midnight
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Jazz combo
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Roger Aldridge
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Uxmal At Midnight
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Roger Aldridge
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SheetMusicPlus
Jazz Combo - SKU: A0.979638 Composed by Roger Aldridge. 20th Century,Jazz,World. Score and parts. 2 pages. Roger Aldridge #432537. Published by Roger Al...
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Jazz Combo - SKU: A0.979638 Composed by Roger Aldridge. 20th Century,Jazz,World. Score and parts. 2 pages. Roger Aldridge #432537. Published by Roger Aldridge (A0.979638). Uxmal At Midnight is a slow tango. The tune is fairly simple however it has a beauty that invokes images and feelings of this magical place. This is one of my minimalist pieces. There are times when I use extended forms and times when I need only a few measures to convey a particular mood. The essential features of this piece are its simplicity, harmonic color, and use of space. The one exception to its simplicity is the shifting time. Like other pieces of mine that use shifting time, this music has a fluid movement -- with time expanding and contracting in ways that feel natural to me. For contrast, I decided to have the solo section entirely in 4/4. My minimalist pieces, and others that have a great amount of freedom, are heavily dependent upon the performers to bring the music to life. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ YEAR OF RELEASE: 2000.
$3.00 ≈
2.80€
Self-Reflection
Self-Reflection
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2 Trombones (duo)
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FACILE
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Marcos Fernandez-Barrero
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Self-Reflection
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Marcos Fernandez-Barrero
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SheetMusicPlus
Trombone Duet Trombone - Level 2 - SKU: A0.1287890 Composed by Marcos Fernandez-Barrero. 21st Century,Chamber,Classical,Contemporary,Film/TV. Score. 12 ...
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Trombone Duet Trombone - Level 2 - SKU: A0.1287890 Composed by Marcos Fernandez-Barrero. 21st Century,Chamber,Classical,Contemporary,Film/TV. Score. 12 pages. Marcos Fernandez-Barrero #878977. Published by Marcos Fernandez-Barrero (A0.1287890). Written for the pupils of the chamber music course at the Conservatoire of Barcelona (Conservatori Municipal de Música de Barcelona). The work evokes the several steps experienced in the process of self-reflecting, where one looks inward and examines his own emotional responses and behaviours to a given input, idea, decision, thought, etc.The scoring challenges both performers to interact to each other and negotiate the musical material; sometimes by passing the main thematic ideas on to each other, other times by build it together and other times to influence and alter each other. All of it so both sound sources melt into one single musical discourse which evolves and transforms every so often, as if mimicking the multiple decisions and thoughts one can take during a self-reflecting process.The motivation behind the composition of this work lies in the need to offer a repertoire with the demands and challenges present in the repertoire used in exam boards and conservatories but with a modern use of harmony and melody such as the one we can hear on television or in the cinema. So the harmonic language, the form, the compositional techniques and the use of rhythm, melody and articulation in this work presents a blend a current style present in American film music, television, musicals, Jazz or minimalism (with influences from composers such as Ludovico Einaudi, Yann Tiersen, John Williams, Michael Nyman, or Hans Zimmer) with the type of writing, thematic treatment, piano technique and musical form found in the classical chamber music repertoire. Approximate duration: 3 mins.Written in Barcelona on April 2023.
$5.95 ≈
5.56€
3am. Silence
3am. Silence
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Piano Facile
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INTERMÉDIAIRE
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Milana Zilnik
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3am. Silence
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Milana Zilnik
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SheetMusicPlus
Easy Piano - Level 3 - SKU: A0.919103 Composed by Milana Zilnik. 20th Century,Instructional,Jazz,New Age. Score. 2 pages. Milana Zilnik #5376853. Publis...
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Easy Piano - Level 3 - SKU: A0.919103 Composed by Milana Zilnik. 20th Century,Instructional,Jazz,New Age. Score. 2 pages. Milana Zilnik #5376853. Published by Milana Zilnik (A0.919103). A minimalistic piano solo, most chords with minimal inner melody. Sounds like Chick Corea, Keith Jarret but simpler. Works for romantic movie, brooding scenes or scenes of still nature. Can be used an exercise in chord voicings, connected pedaling, gentle touch, hand relaxation.
$4.99 ≈
4.66€
Moment To Moment
Moment To Moment
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Henry Mancini and Johnny Merce
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Moment To Moment
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Uwe Roessler
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 4 - SKU: A0.1184233 Composed by Henry Mancini and Johnny Mercer. Arranged by Uwe Roess...
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Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 4 - SKU: A0.1184233 Composed by Henry Mancini and Johnny Mercer. Arranged by Uwe Roessler Rössler Rassler. 20th Century,Film/TV,Jazz,Pop,Wedding. Score and parts. 12 pages. Uwe Roessler #783948. Published by Uwe Roessler (A0.1184233). A truly great, romantic theme, catching and melancholy. It may be one of Mancini´s less popular classics, but it is pure Mancini through and through! Arrangement follows the original Mancini version - hence the video link. The theme is equally distributed between violin, cello, and piano.In an alternate ending, I´ve included Mancini´s original piano solo cadenza towards the end of the piece. So intrigued am I by these jazzy chord progressions, that I cannot help but sharing them with you - just beautiful! But the arrangement also works without this alternate ending, thoughDuration: approx. 3 min. Comes with full score and all individual parts. Professional sheet material!Minimal instrumentation: Piano Trio (violin, cello, paino). Arrangement can be expanded to Piano Quartet/Quintet. Individual, independent voices for violin 2 and bass included. Piano voice is written out, but there are also chord symbols for your pianist´s own voicings.I´ve listed quite a lot of songs, so far: Movie themes, classics, classic pop songs for this kind of instrumentation, and others. Have fun with my arrangements!
$20.00 ≈
18.70€
Learn to Play Piano / Keyboard For Absolute Beginners A Self Tuition Book - SPECIAL EDITION
Learn to Play Piano / Keyboard For Absolute Beginners A Self Tuition Book - SPECIAL EDITION
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Piano Facile
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DÉBUTANT
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Martin Woodward
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Reading music from scratch
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Learn to Play Piano / Keyboard
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Martin Woodward
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1044307 Composed by Martin Woodward. Children,Instructional,Jazz,Pop,Traditional. Score. 142 pages. Martin Woodward #6490...
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Easy Piano - Level 1 - SKU: A0.1044307 Composed by Martin Woodward. Children,Instructional,Jazz,Pop,Traditional. Score. 142 pages. Martin Woodward #649059. Published by Martin Woodward (A0.1044307). Learn to Play Piano / Keyboard For Absolute Beginners A Self Tuition Book for Adults & Teenagers! SPECIAL EDITION You will not be disappointed with this superb self tuition book, which is probably the easiest and most user friendly book of its sort available! As the name suggests, this book has been written for the absolute beginner and assumes no prior musical knowledge - just the desire to do it! The contents are suitable for piano and / or electronic keyboard. Available as a (printable) eBook - instantly downloadable, or as a coil bound paperback (monochrome only) conveniently designed to lay flat on your music rack, or as a conventional book bound paperback as sold on Amazon etc. - Coil bound is best! Items covered include: Buying your first keyboard or piano; Reading music from scratch; Easy, effective finger exercises which require minimal reading ability; Important musical symbols; Your first tunes; Audio links for all tunes and exercises; Key signatures and transposition; Pre scale exercises; Major and minor scales in keyboard and notation view; Chord construction; Chord fingering; Chord charts in keyboard view; Arpeggios in keyboard and notation view; Arpeggio exercises; Playing from a Fake book with and without auto accompaniment; Plus more! Ok, but what is special about this ‘Special Edition’? Compared to Editions 1 and 2 (both of which are still available) this 'Special Edition' is both a lot more and a little less in the fact that I have only included the first three major and harmonic minor scales and arpeggios and removed the chord charts to make the paperback version more cost effective. BUT… to make this version much better I have included free links for the digital pdf versions of the items shown next: Hanon Exercises 1 - 30 Condensed and Simplified for Beginners Easy Reading; Scales & Arpeggios - every major / minor scale in every key, plus pentatonic / blues scales and modes in most used keys; Chords (complete) - just about every chord that you will ever need; Chords (short) - as above but only in keyboard view with diatonic chords; Easy Piano Music - for two hands; Easy Keyboard Music - for auto-accompaniment. Consequently, this edition offers far more ‘bang for buck’ and if you’re serious about learning you would eventually need to buy these other items anyway. After completing this book you should have a good basic understanding of music theory as well as a good basic playing technique, paving the way for more advanced study in your chosen field - jazz, blues, pop, classical etc. Check out the contents in the preview!
$13.99 ≈
13.08€
Retake Samba (solo viola)
Retake Samba (solo viola)
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Alto (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Jeremy Cohen
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Retake Samba
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Violinjazz Publishing
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SheetMusicPlus
Viola Solo - Level 4 - SKU: A0.877397 Composed by Jeremy Cohen. Concert,Contemporary,Instructional,Latin. Individual part. 2 pages. Violinjazz Publishin...
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Viola Solo - Level 4 - SKU: A0.877397 Composed by Jeremy Cohen. Concert,Contemporary,Instructional,Latin. Individual part. 2 pages. Violinjazz Publishing #4822789. Published by Violinjazz Publishing (A0.877397). Stylistic Etude for Solo ViolaThis samba is an excellent tool for learning about playing near the frog in a very relaxed way. Focuses on bow retakes, lifting and placing the bow back on the string. Encourages a relaxed shoulder and arm and using minimal muscle tension. In a Brazilian style, full of rhythmic flair. Video link is solo violin version.
$5.99 ≈
5.60€
Retake Samba (solo violin)
Retake Samba (solo violin)
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Jeremy Cohen
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Retake Samba
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Violinjazz Publishing
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.877378 Composed by Jeremy Cohen. Concert,Contemporary,Instructional,Latin. 2 pages. Violinjazz Publishing #4809745. Publ...
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Violin Solo - Level 4 - SKU: A0.877378 Composed by Jeremy Cohen. Concert,Contemporary,Instructional,Latin. 2 pages. Violinjazz Publishing #4809745. Published by Violinjazz Publishing (A0.877378). Stylistic Etude for Solo ViolinThis samba is an excellent tool for learning about playing near the frog in a very relaxed way. Focuses on bow retakes, lifting and placing the bow back on the string. Encourages a relaxed shoulder and arm and using minimal muscle tension. In a Brazilian style, full of rhythmic flair.
$5.99 ≈
5.60€
O Christmas Tree (O Tannenbaum)
O Christmas Tree (O Tannenbaum)
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Piano seul
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FACILE
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Noël
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Melchior Franck
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Dan Karlsberg
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O Christmas Tree
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Daniel H. Karlsberg
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.920344 Composed by Melchior Franck. Arranged by Dan Karlsberg. Christian,Christmas. Score. 1 pages. Daniel H. Karlsberg #...
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Piano Solo - Level 2 - SKU: A0.920344 Composed by Melchior Franck. Arranged by Dan Karlsberg. Christian,Christmas. Score. 1 pages. Daniel H. Karlsberg #5955433. Published by Daniel H. Karlsberg (A0.920344). This arrangement of O Christmas Tree is designed to be fun and easy to play by the early intermediate pianist. It includes minimal hand movement with all fingerings marked. Check out the audio sample. Enjoy!If you are interested in seeing more of my arrangements, checkout my publisher page here:https://www.sheetmusicplus.com/publishers/natijazz-sheet-music/3017286
$2.99 ≈
2.79€
Almost May for Piano Solo
Almost May for Piano Solo
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Piano seul
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FACILE
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Heidi Savoie
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Song...
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Piano Solo - Level 2 - SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost May”. Like springtime in the Northern Hemisphere, “Almost May” unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99 ≈
3.73€
Almost May Lead Sheet
Almost May Lead Sheet
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Instruments en Do
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FACILE
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/So...
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C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost May”. Like springtime in the Northern Hemisphere, “Almost May” unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99 ≈
2.79€
Air On The G String (BWV 1068) / Fugue c minor (BWV 847)
Air On The G String (BWV 1068) / Fugue c minor (BWV 847)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Air On The G String
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Uwe Roessler
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1103957 Composed by Johann Sebastian Bach. Arranged by Uwe Roessler Rössler Rassler. 20th Century,Baroque,Contemp...
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Chamber Orchestra - Level 4 - SKU: A0.1103957 Composed by Johann Sebastian Bach. Arranged by Uwe Roessler Rössler Rassler. 20th Century,Baroque,Contemporary,Contest,Festival,Jazz. Score and parts. 32 pages. Uwe Roessler #707241. Published by Uwe Roessler (A0.1103957). This arrangement consists of two parts which can be played either seperately, or consecutively: the famous “Air On The G String” (BWV 1068, as in the 1871 arrangement by August Wilhemj), inspired by Jaques Loussier´s “Play Bach”- version, and the fugue c-minor from the Well-Tempered Piano (BWV 847), inspired by the magnificent Turtle Island String Quartet´s incomparable swinging rendition (hence the video link). There are several options of playing this arrangement: “Air” has two parts which can be repeated – thus, violin1 and cello can distribute the theme. Of course, these repetitions are optional. If you want to play the Air only – there is an optional ending in bar 22. If you want to play only the fugue – start from bar 23 (intro), or from bar 30 (theme). Or you choose to play Air and fugue consecutively. The arrangement works great either ways ;-). Piano voice is written out. However, there are also chord symbols for your own voicings. Minimal instrumentation: piano trio (violin1, cello, piano). Comes with full score and all individual parts. Optional voices for violin 2 and bass, clarinet Bb, guitar, and drums included. Professional sheet material. I´ve listed quite a lot of songs, so far: Movie Themes and classic Pop songs for this kind of instrumentation, and others. Browse ;-) Have fun with my arrangements!
$30.00 ≈
28.04€
Sleepy Head (for solo piano)
Sleepy Head (for solo piano)
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Piano seul
#
Mike J
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Sleepy Head
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Mike Roberts
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SheetMusicPlus
Piano Solo - SKU: A0.913547 Composed by Mike J.D. Roberts. Children,Contemporary. Score. 2 pages. Mike Roberts #4368702. Published by Mike Roberts (A0.9...
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Piano Solo - SKU: A0.913547 Composed by Mike J.D. Roberts. Children,Contemporary. Score. 2 pages. Mike Roberts #4368702. Published by Mike Roberts (A0.913547). An arrangement of 'Sleepy Head' for solo piano - a ballad originally written for jazz quartet.The piece will work well for new players. The melody and chords are both very simple and it is in C major so there are minimal sharps and flats. It is a simplistic arrangement, but do not feel afraid to experiment with different harmonies in the right hand if you like!It’ll also work for any pianist who just fancies something nice to play (perhaps those with unruly children who need some relaxing music!).Please do feel free to get in touch with any comments or requests - michael.roberts@ucl.ac.uk
$1.99 ≈
1.86€
Blues Meditation
Blues Meditation
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Piano seul
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FACILE
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Jared Metzger Abel
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Jared Metzger Abel
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Blues Meditation
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Jared Metzger Abel
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1369476 By Jared Metzger Abel. By Jared Metzger Abel. Arranged by Jared Metzger Abel. Blues,Contemporary,Instructional,Ja...
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Piano Solo - Level 2 - SKU: A0.1369476 By Jared Metzger Abel. By Jared Metzger Abel. Arranged by Jared Metzger Abel. Blues,Contemporary,Instructional,Jazz,New Age. Score. 1 pages. Jared Metzger Abel #953841. Published by Jared Metzger Abel (A0.1369476). This musical meditation is great for calming and centering. The minimal, three-note melody gently hovers over a simple 12-bar blues accompaniment. The repeat can be taken several times to create a longer meditation period. Suggested fingering, dynamics, and pedaling are included in the score.
$1.99 ≈
1.86€
Santa's in Town: B-flat Tenor Saxophone
Santa's in Town: B-flat Tenor Saxophone
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Saxophone (partie séparée)
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Methodes
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John Frederick Coots
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Carl Strommen
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Santa's in Town: B-flat Tenor
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016202_TX1 B-flat Tenor Saxophone. Composed by John Frederick Coots. Arranged by Carl Strommen. Instructional. Par...
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Jazz Ensemble - SKU: AX.00-PC-0016202_TX1 B-flat Tenor Saxophone. Composed by John Frederick Coots. Arranged by Carl Strommen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016202_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016202_TX1). UPC: 038081375472.You better watch out---this fine swing chart on the classic holiday favorite is easy to put together, swings, has a written trumpet solo, a sax soli, a nice shout chorus, and a modulation. Lead trumpet range is to written G on top of the staff. This chart will be effective with minimal prep time! (3:40).
$3.00 ≈
2.80€
Santa's in Town: E-flat Alto Saxophone
Santa's in Town: E-flat Alto Saxophone
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Saxophone (partie séparée)
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Methodes
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John Frederick Coots
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Carl Strommen
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Santa's in Town: E-flat Alto S
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016202_AX1 E-flat Alto Saxophone. Composed by John Frederick Coots. Arranged by Carl Strommen. Instructional. Part...
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Jazz Ensemble - SKU: AX.00-PC-0016202_AX1 E-flat Alto Saxophone. Composed by John Frederick Coots. Arranged by Carl Strommen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016202_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016202_AX1). UPC: 038081375472.You better watch out---this fine swing chart on the classic holiday favorite is easy to put together, swings, has a written trumpet solo, a sax soli, a nice shout chorus, and a modulation. Lead trumpet range is to written G on top of the staff. This chart will be effective with minimal prep time! (3:40).
$3.00 ≈
2.80€
Santa's in Town: Flute
Santa's in Town: Flute
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Flute (partie séparée)
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Methodes
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John Frederick Coots
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Carl Strommen
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Santa's in Town: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016202_F1 Flute. Composed by John Frederick Coots. Arranged by Carl Strommen. Instructional. Part. 2 pages. Alfred...
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Jazz Ensemble - SKU: AX.00-PC-0016202_F1 Flute. Composed by John Frederick Coots. Arranged by Carl Strommen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016202_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016202_F1). UPC: 038081375472.You better watch out---this fine swing chart on the classic holiday favorite is easy to put together, swings, has a written trumpet solo, a sax soli, a nice shout chorus, and a modulation. Lead trumpet range is to written G on top of the staff. This chart will be effective with minimal prep time! (3:40).
$3.00 ≈
2.80€
Santa's in Town: Baritone T.C.
Santa's in Town: Baritone T.C.
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Saxhorn / bariton b.c. (partie séparée)
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Methodes
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John Frederick Coots
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Carl Strommen
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Santa's in Town: Baritone T.C.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016202_BTC1 Baritone T.C.. Composed by John Frederick Coots. Arranged by Carl Strommen. Instructional. Part. 2 pag...
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Jazz Ensemble - SKU: AX.00-PC-0016202_BTC1 Baritone T.C.. Composed by John Frederick Coots. Arranged by Carl Strommen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016202_BTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016202_BTC1). UPC: 038081375472.You better watch out---this fine swing chart on the classic holiday favorite is easy to put together, swings, has a written trumpet solo, a sax soli, a nice shout chorus, and a modulation. Lead trumpet range is to written G on top of the staff. This chart will be effective with minimal prep time! (3:40).
$3.00 ≈
2.80€
Moon River
Moon River
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Cloches
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Jazz
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Henry Mancini
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Kathleen Henson
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Moon River
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Kathleen Henson
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SheetMusicPlus
Handbell - SKU: A0.781189 By Henry Mancini. By Henry Mancini. Arranged by Kathleen Henson. Jazz. Score. 4 pages. Kathleen Henson #3239771. Published by ...
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Handbell - SKU: A0.781189 By Henry Mancini. By Henry Mancini. Arranged by Kathleen Henson. Jazz. Score. 4 pages. Kathleen Henson #3239771. Published by Kathleen Henson (A0.781189). For 3 Otcave Handbells AGEHR Level: 2 This arrangement has a few bell changes but the tempo is slow enough to allow the changes to occur with little difficulty. It does shift until a new key and once there the bell changes are minimal. Mercer and Mancini wrote the song for Audrey Hepburn to sing in the film Breakfast at Tiffany's. The lyrics, written by Mercer, are reminiscent of his childhood in Savannah, Georgia, including its waterways. As a child, he had picked huckleberries in summer, and connected them with a carefree childhood and Mark Twain's Huckleberry Finn.
$15.00 ≈
14.02€
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Minimal Jazz 2
